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Welcome to the akuTEK research site. Below is a list of akuTEK research projects and fields. To get more information about topics, activity and status, follow the links below. Make sure to keep up with latest changes. You are invited to contribute to the akuTEK research projects. If you have a contribution, either original or by a link to free, additional information on the www, please send by mail. You may also suggest new akuTEK research projects. |
akuTEK research |
Methods for computer assisted prediction of acoustics is very important to research in the field of room acoustics, and for development and design of new performance spaces. Computational capacity in computers has increased since Krokstad et al started out in the 1960’s, but so have our demands. This field has over the past century grown to become the Queen of room acoustics. Diffusivity—its significance to perceived sound quality The significance of diffusivity to perceived sound quality is widely recognized, but there seems to be even more to reveal. Paper was presented at BNAM 2006. The opposites of diffusivity are echoes, modes and false localizations or image shifts (link to 3MB pdf-document) Dynamic Directivity of musical instruments Ensemble Acoustics Listening aspects related to room acoustical effects on music Music Room Acoustics Performers perception of own voice or instrument It is a common experience that people find recordings of their own voice strange and weak, missing the low frequency emphasis typically perceived by one self. Prediction of echoes, and flutter-echoes Echoes in performance spaces can be very disturbing and hard to cure. They are among the prominent sound effects that are important to predict during design. Reflector array and orchestra canopy design What are the significant acoustic properties of a good rehearsal room? Reflecting Disc - and the Equivalent Dipole Source Small Room Acoustics Source Radiation and Directivity of musical instruments - how to deal with it? Directivity of musical instruments and its significance to sound quality as perceived by the audience has been investigated since late 60-s. Speech intelligibility— which acoustical and architectural factors make a difference, and how can it be predicted and measured? Stage acoustics, support and mutual hearing in ensemble There are still many topics to investigate in this field. Some say it has only just begun. Orchestra canopies are often called for, but can they always be justified? Stochastic nature of Room Acoustics Voice Acoustics
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