Room acoustics, misc:
Dry-Room Balance at orchestra musicians’ ears during symphonic music performance, by M Skalevik 29.05.2024
Sound Levels in Orchestra Musicians, BNAM 2024, Helsinki, Magne Skålevik 27.05.2024
Sound Levels at Musicians’ Ears during Solitary Practice, Forum Acusticum, Torino, Magne Skålevik 18.09.2023
Orchestra Conductor’s Acoustics, BNAM 2022 Alborg, Denmark, Magne Skålevik 11.05.2022
Level components in symphony orchestra by M Skalevik, ASA, San Diego, 2019
Absorption Area Matters in Symphony Orchestra Rehearsal Rooms ISRA 2019 Amsterdam, Magne Skålevik 16.09.2019
Restrictions on V-T combinations related to ensemble size Magne Skålevik 20.03.2019
Geffen Hall - a 3D model study of incremental modifications to improve acoustics Magne Skålevik 23.12.2018
Simulations and subjective rating of acoustic conditions in a symphony orchestra - a case study IOA Hamburg by M Skalevik 05.10.2018
Concert Hall Acoustics, Online Rating, and Beranek’s Data Collection ICSV London 2017 by M Skalevik 26.07.2017
Time-varying IACC during Tchaikovsky 4th Symphony ASA-EAA-Boston-2017 presentation by M Skålevik 29.06.2017
Observations from the field—Active Acoustic Systems; ASA-EAA-Boston-2017 presentation by Ellison and Skalevik 08.12.2017
Can spatial listening aspects of a hall be measured during a concert?
Can Spaciousness be measured directly from a music performance in a concert hall? (3MB pptx) (1MB PDF) by M Skålevik 31.10.2015
Noise exposure of musicians: The own instrument’s sound compared to the sound from others by Wenmaekers and Hak 08.06.2015
Level balance between Self, Others and Reverb, and its significance to noise exposure as well as mutual hearing in orchestra musicians by M Skålevik 05.06.2015
Consistency in music room acoustics for the orchestra musician, by M Skålevik 10.09.2014
How many diffusers are required to soften the Hard Case , by M Skålevik, FA2014 presentation 09.09.2014
Rehearsal room acoustics for the orchestra musician by M Skålevik 02.06.2014
M Skålevik: Concert hall preference prediction—uncertainties from using a selection of data 09.06.2013
M Skålevik: Can concert hall preference be predicted with physical quantities? 05.11.2012
M Skålevik: Music Room Acoustics - Critical parameters 17.06.2012
M Skålevik: Concert Hall Parameters—Status Report 2012 17.06.2012
D Griesinger: Audibility of direct sound as a key to understanding clarity of music and speech
M Skålevik: Orchestra Canopies presented at 162nd ASA meeting 02.11.2011
M Skålevik: Small Room Acoustics - The Hard Case Forum Acusticum 2011 presentation 03.08.2011
Schroeder Frequency Revisited, Forum Acusticum 2011 presentation by M Skålevik 29.06.2011
Non-linear decays in simple rooms and their possible exploitation by M Barron 14.06.2011
Diffusion in concert halls analysed as a function of time during the decay process by CL Christensen and JH Rindel 24.05.2011
Concert Hall Parameters Relevance Test (ICA 2010 presentation) by M Skålevik 03.09.2010
The Relationship Between Audience Engagement and Our Ability to Perceive the Pitch, Timbre, Azimuth and Envelopment of Multiple Sources by D Griesinger 03.09.2010
Reverberation Time—the mother of all room acoustical parameters by M Skålevik 14.05.2010
Tonal response in rooms (Microstructure of room acoustic FR) by M Skålevik 20.10.2009
An improved low frequency radiation model for finite sound reflectors by J Rathsam and L Wang
Objective assessment of concert hall acoustics by Mike Barron 09.10.2008
Room acoustic parameters - their distribution over concert hall seats, by M Skålevik 05.10.2008
When is a concert hall too quiet? , by Mike Barron. 23.09.2008
Acoustical Modelling with Sonel Mapping, by Kapralos, Jenkin and Milios. 25.09.2007
Influence of ceiling profile on distribution of room acoustical parameters, by Stephenson. 21.09.2007
Stage conditions for orchestral performance, by Dammerud / Barron. Early subjective and objective studies of concert hall stage conditions for orchestral performance. 21.09.2007
Sound Transmission Through the Orchestra by Skålevik. 31.08.2007
Measurements related to mutual hearing (hearing others) in symphony orchestra (829kB pdf)
Diffusivity and directivity by Skålevik. The direct sound component radiated from the source correlates poorly with the produced sound energy. Early reverberant sound can compensate for this. Link to slide-show (0.4MB pdf) here. Link to full paper here. 02.04.2007
Orchestra Canopies—Significant Features, by Skålevik. Orchestra canopies—do they make a useful difference and can it be measured? Link to slide-show (1.1 MB pdf) here. Link to full paper here. 02.04.2007
Reflections, scattering and diffraction in room acoustics
Low frequency limits of reflector arrays by Skålevik
An improved low frequency radiation model for finite sound reflectors by Rathsam et.al
The scattering from reflector panels with convex edges by Rathsam/Wang
Culling insignificant diffraction components by Calamia/Svensson
Edge diffraction in computer modeling by Svensson/Calamia
Presentations from external sources
L Beranek: Aspects of Concert Hall Acoustics
