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www.akutek.info was launched 17.08.2006              Latest change 02.09.2025                         Latest NEWS;           E-mail: akutek@akutek.info

This site is dedicated to topics in room acoustics, music acoustics, speech acoustics, perception and their interrelation in general, and concert hall acoustics and stage acoustics in particular.

Data Collection—rehearsal rooms for symphony orchestras

AKUTEK: Online concert hall acoustics rating survey

AKUTEK Articles: Reverberation distance - is it a critical property in orchestra rehearsal rooms?

Van dorp Schuitman and D de Vries: Deriving content-specific measures of room acoustic perception using a binaural, nonlinear auditory model

Blauert and Braasch
Acoustic communication: The Precedence Effect 

BBC: Hundreds of R&D REPORTS FROM 1933 TO 1996

L.Beranek, Concert hall acoustics - Recent findings

AKUTEK research: Binaural Localization Cues

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More….

Latest akutext:
By M Skalevik: Sound Levels in Symphony Orchestra Musicians; Dry-Room Balance at orchestra musicians’ ears during symphonic music performance;Sound Levels in Orchestra Musicians (Presentation); Two Ears ; Sound Levels at a Clarinetist’s Ears During Solitary Practice by S Helbæk Kjølberg; Sound exposure during solitary practice by M Skalevik; Orchestra_Conductor_Acoustics by M Skalevik; Symphony experience - Live vs Recording by M Skalevik; Binaural Project: The Binaural Signal From a Symphony Orchestra; Live listening vs Headphone listening;  Level components in symphony orchestra by M Skalevik, ASA-2019; Absorption Area Matters in Symphony Orchestra Rehearsal Rooms (paper) ISRA-2019 presentation; Simulations and subjective rating of acoustic conditions in a symphony orchestra - a case study;Restrictions on V-T combinations related to ensemble size ;Rydland: Sound component levels in symphony orchestra musician ; Ellison and Skalevik: Observations from the field—Active Acoustic Systems; Behzad Ranjbari: Investigation of new metrics for the characterization of musicians' room acoustical conditions in concert halls (paper) Thesis (3MB); Skalevik: Concert Hall Acoustics, Online Rating And Beranek’s Data Collection; Skalevik: Measurements of IACC during music performance in concert halls 01.02.2017 (ISMRA presentation 11.09.2016), ASA-Boston-2017-presentation 29.06.2017, ICSV24 London paper 2017; M Barron:  Theory and measurement of early, late and total sound levels in concert spaces; Taking account of loudness constancy for the loudness criterion for concert halls; Objective assessment of concert hall acoustics using Temporal Energy Analysis (2013);  Sound exposure in orchestra musicians: Dance and Dymock: Sound exposure and the hearing of musicians ; Wenmaekers and Hak: Noise exposure of musicians: The own instrument’s sound compared to the sound from others (paper) (presentation); M Skålevik: Self, Others and Reverb (paper) presentation;
AKUTEK: Binaural localization of pure tone; Binaural localization of pink noise

This week:
Converting an old barn into a chamber music hall with AAS
by M Skålevik

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This month:
Room Acoustics by H Kuttruff

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