The www center for search, research and free sharing in acoustics


www.akutek.info was launched 17.08.2006              Latest change 25.10.2018                         Latest NEWS;           E-mail: akutek@akutek.info

This site is dedicated to topics in room acoustics, music acoustics, speech acoustics, perception and their interrelation in general, and concert hall acoustics and stage acoustics in particular.

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AKUTEK: Online concert hall acoustics rating survey

Behzad Ranjbari: Investigation of new metrics for the characterization of musicians' room acoustical conditions in concert halls

Van dorp Schuitman and D de Vries: Deriving content-specific measures of room acoustic perception using a binaural, nonlinear auditory model

Kirkegaard, Gulsrud and McCreery: TheAcoustics of Sydney Opera Haouse Concert Hall, Part 2: The Acoustician’s perspective

Blauert and Braasch
Acoustic communication: The Precedence Effect 

BBC: Hundreds of R&D REPORTS FROM 1933 TO 1996

L.Beranek, Concert hall acoustics - Recent findings

AKUTEK research: Binaural Localization Cues

Visit the AKUTEK Facebook page 


Latest akutext:
Skalevik: Simulations and subjective rating of acoustic conditions in a symphony orchestra - a case study; Ellison and Skalevik: Observations from the field—Active Acoustic Systems; Behzad Ranjbari: Investigation of new metrics for the characterization of musicians' room acoustical conditions in concert halls (paper) Thesis (3MB)
Skalevik: Concert Hall Acoustics, Online Rating And Beranek’s Data Collection; Skalevik: Measurements of IACC during music performance in concert halls 01.02.2017 (ISMRA presentation 11.09.2016), ASA-Boston-2017-presentation 29.06.2017, ICSV24 London paper 2017;
M Barron:  Theory and measurement of early, late and total sound levels in concert spaces; Taking account of loudness constancy for the loudness criterion for concert halls; Objective assessment of concert hall acoustics using Temporal Energy Analysis (2013);
J O’Keefe:
An Acoustician’s Journey into Hearing Aids;
Möller et al:
Practical application and analysis of full orchestra spatial repsonses in an opera house ; Sound exposure in orchestra musicians: Dance and Dymock: Sound exposure and the hearing of musicians ; Wenmaekers and Hak: Noise exposure of musicians: The own instrument’s sound compared to the sound from others (paper) (presentation); M Skålevik: Self, Others and Reverb (paper) presentation;
Binaural localization of pure tone; Binaural localization of pink noise

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Room Acoustics by H Kuttruff